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Carefree and wonderful free spirit, taken from us all too soon. A white woman with a voice like Aretha. A Soul singer, a blues singer, a great singer, a Soulful singer. A life of great promise cut short by an addiction to drugs, a lonely Soul, she just needed support and love.
Cry Baby (original – Garnet Mimms)
Piece Of My Heart (original – Erma Franklin)
Wikipedia: Janis Joplin
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LIFE IS HARD
The great white Bluesman
Wikipedia: Johnny Winter
All My Love
Deep beat Soul ballad with great orchestration.
Great Soul. One of my favourites. Most of his music was New Orleans style laid back Blues.
I’m A Little Mixed Up (1961)
A fantastic blues track played a lot at the first Twisted Wheel (Brazennose Street) by the DJ Roger Eagle; who introduced an entire generation in Manchester to the Blues, and a simultaneous thing a year or so later with Soul music.
This record is a fine example of simple rhythmic blues that became synonymous with the Blue boom in England in 1963. I remember the times fairly well but was Betty a woman? Sounds like a man; I’m a little mixed up too about the label name and the artists gender, because we thought that She was a Man. She did an answer record to “Mixed Up” with girl backing singers sort of in the style of Rock & Roll in 62: I’m Not Mixed Up Any More , but this is well below par in comparison to her own great blue number.
From SOULFUL DETROIT forum:
Betty James was a blues singer from Baltimore. She sang in clubs there during the 1950s. She was “discovered” by Joe Evans and his cousin, Bobby Johnson in 1961. They recorded her for their New York label, Cee-Jay Records.
This is a portion of “The Carnival Records story by Dave Moore, in Hitsville Magazine:
“As the 50’s turned to the 60’s, Jack and Joe released records by a number of artists with limited success. In 1961 they came across the James Family. Betty James was a blues singer from Baltimore, Maryland who was ably supported by her husband on guitar and her son on bass. They got the group studio time, hired a session drummer with instructions to play the sticks as much as the skins and the session produced “Betty James – Im A Little Mixed Up – Cee-Jay 583.” The single went on to local success and demand for it became such that Chess Records made an offer that the pair accepted. Joe and Jack were a success! They had also seen the national sales of their record go higher and the rewards go to a bigger company….a valuable lesson was learned.”
“Ain’t Gonna Grieve No More”
Ramblin’ Jack An American A Legend:
I went to a Blues & Folk Show at Manchester’s Free Trade Hall in 65′.
Afterwards in the Mitre Hotel just across the road on Fountain Street (long since gone) I met Ramblin Jack. He had a broken leg, he told me and my pal he did it in the USA on a skate board … fell off. His show was indeed: ramblin’. He was Ramblin’ on about all sorts of stuff; how he knew Woody Guthrie and that Bob Dylan who he said had stole his style of playing and a singing. He was a cowboy and did the rodeo, he certainly had a ten gallon cowboy hat.
He was interested in what we did and the music we liked, we liked blues and of course Soul, Ray Charles, we were Mods and told him about Mods. He was crazy about the one man band “San Francisco Bay Blues” man Jesse Fuller and tol us that the other man who also influenced Dylan apart from Woodie Guthrie and of course himself was Jesse Fuller the One Man Band: one of our all time favourite blues men too.
We told him about all nighters and he asked if he could get some purple hearts. We took him to the Twisted Wheel. He was a great – HIT THERE DANCING ALL NIGHT WITH A BROKEN ANKLE.
I wondered for years whatever happened to him and the stories he told.
Well, his daughter did a BBC documentary about him. He was awarded a medal by bill Clinton as a popular American Legend.
“If the name of folk singer Ramblin’ Jack Elliott is unfamiliar, know this: He was Woody Guthrie after Woody Guthrie and Bob Dylan before Bob Dylan.”
Real name Elliott Adnopoz
Wikipedia: Ramblin’ Jack Elliott
B B King was one of the last of the great blues performers. The tracks featured were favourites in soul clubs in Manchester in the sixties.
B B King was a blues man that has made it on the popular entertainment circuit, unlike most of his influences and contemporaries. He constantly appears in live TV shows and featured in the Blues Brothers 2000 film.
ROCK ME BABY
PAYING THE COST TO BE THE BOSS
THE THRILL HAS GONE
Every Day I Have The Blues – Blue Horizon, 1967
Sweet Little Angel
Wikipedia: BB King
These tracks by Albert King and and many others were always to be heard at the Blue Note Club, Manchester. Albert’s style was a firm favourite there. Although Albert King’s music was sometimes played at the Twisted Wheel, this location mainly went for the less bluesy more Motown based sounds.
Alberts 45’s were sent to Roger Eagle directly from Stax. Roger the original Twisted Wheel DJ moved on to Manchester’s Blue Note club were these tracks were well received.
Albert belongs to an elite group of guitarists and one of the most influential blues guitarists ever. Albert was left handed and used bare fingers and always with the volume turned up high, Albert created his own unique identifiable electric blues guitar style and it was soulful too. Albert played guitar upside down, so bending notes in the opposite way to a right handed player, as did Jimmy Hendrix.
He was one of the three Kings of the guitar: B B King, Freddie King and Albert King. His first recording was: Bad Luck Blues, released in 1953. Albert had to drive a bulldozer amongst other jobs for ten years before attaining any recognition. His first successful single was Don’t Throw Your Love On Me Too Strong. In 1966 he signed to the Stax label and began working with Booker T. And The MGs, a match made in heaven. Cold Feet, contained references to several Stax artists, e.g. Sam and Dave, Rufus Thomas and Carla Thomas.
They ain’t the only ones to play the blues
I play the blues myself
I Love Lucy, paid homage to Al’s ‘Flying V’ guitar – which he called Lucy. Other early Stax recordings for Albert included Born Under A Bad Sign (1967) and Personal Manager .
His biggest earlier hit on the UK soul scene was the fantastic Cross Cut Saw and later The Hunter (1968). UK groups such as Free and Cream always included Albert’s numbers in their live stage act. Albert King was a central part of the late 1960s ‘blues boom’.
The classic album, Live Wire/Blues Power, was recorded at San Francisco’s Fillmore Auditorium in 1968 and gained wider recognition. More great albums followed including King Does The King’s Thing, a tribute to Elvis Presley, That’s What The Blues Is All About A Top 20 R&B single. 1983 brought about renewed interest in the blues with artists such as Robert Cray and Stevie Ray Vaughan paying their dues to Albert. This helped to bring him back into the spotlight and in 1990 Albert appeared on Gary Moore ‘s ‘back-to-the-roots’ collection, Still Got The Blues.
Born in Indianola, MS, but raised in Forrest City, Arizona, Albert taught himself how to play guitar when he was a child, building his own instrument out of a cigar box. He played with gospel groups (the Harmony Kings). After hearing Blind Lemon Jefferson, Lonnie Johnson, and several other great bluesmen, he left gospel for the blues. In 1950, he met MC Reeder who owned the T-99 nightclub in Osceola, Albert moved there becoming a member of T-99’s house band, the ?In The Groove Boys?.
In 1953 he moved to Gary, Indiana and joined a band that featured Jimmy Reed and John Brim both better known guitarists so Albert turned to the drums. He adopted the name Albert King, after B.B. King’s Three O’Clock Blues became a hit. Albert met Willie Dixon in 1953 and did five songs with him at Parrot records, Be On Your Merry Way / Bad Luck Blues, was released – others have appeared many years later on compilations.
In 1956 Albert moved to St. Louis, playing at local clubs where he began playing ‘Lucy’ his Gibson Flying V. He recorded at this time with Bobbin Records until 1959. King Records released the Don’t Throw Your Love on Me So Strong single from the smaller label. In 1961, it became a hit, reaching number 14 on the R&B charts. King Records issued more material from Bobbin, including the album, The Big Blues which was released in 1963. Bobbin also leased material to Chess, which came out in the late 1960s.
Albert left Bobbin in 1962 and recorded one session for King Records without success. Louis’ independent label CounTree, did some further recordings with Albert but after a falling out with the owner Albert was dropped.
Albert signed with Stax Records in 1966. He had R&B chart hits Laundromat Blues (1966) and Cross Cut Saw (1967) both Top 40 – Born Under a Bad Sign (1967) reached the Top 50. Jimmy Hendrix followed Albert’s guitar playing style and sound and Eric Clapton, copied Albert’s Personal Manager guitar solo for the Cream song, Strange Brew. Albert King’s first album with Stax Born Under a Bad Sign, (1967) was a collection of his singles.
In 1972, he recorded I‘ll Play the Blues for You, with backing from the re-formed the Bar-Kays, the Memphis Horns, and The Movement.
Later Stax got into major financial difficulties and he left, going to Utopia, a subsidiary of RCA Records. In1978 Albert was at Tomato records and Fantasy records in 1983.
In 1986, Albert retired from the business, but made an instant come back playing concerts and festivals throughout America and Europe he continued to perform until his sudden death in 1992 from heart attack on December 21.
He loved Lucy and we loved him.
Born 25th April 1923 – Indianola, Mississippi
Died 21st December 1992 – Memphis, Tennessee
Wikipedia: Albert King
Cascade Blues Assoc
Albert King Tribute Band