The Working Life of The Blue Note Club DJ, Manchester

THE CONTOURS - JUST A LITTLE MISUNDERSTANDING (RARE VIDEO CLIP)

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A DJ and an empty dance-floor. It’s just before the club opens. There are two mod girls in the cloak room to take the overcoats of the punters coming down the stairs. I put on a slow record onto one of the twin Garrard record decks: The Soul Children with “The Sweeter He Is”.It’s a long track and gives me time to sort things out. I turn to my open holdall. Inside are the records I have brought for tonight; lots of vinyl 45’s inside. The box is a  long wooden one designed to protect the precious cargo. I get the next record out and put it ready on the other deck: “When Love Slips Away” by Dee Dee Warwick – the year is 1969 and I have been doing this since November 1967 and I would continue until part the way through 1970.

The Soul Children begin to fade out. My concentration moves to the second deck. I get the needle ready to descend right down onto the next spinning disc, it’s hovering right over the beginning of Dee Dee, it drops and a seamless interchange is made.

Sometimes I would hold the rubber mat with my fingers the metal platter spinning below, the record stationary on the rubber ready to go when I released it as the other track on the playing deck fades, and my released one steps up and takes over the audio thundering out of the clubs speakers. If you wanted to talk in here you had to shout into my ear.

Getting people dancing is the aim, one record often does it. When enough people are in the club I shift the tempo up. Motown always works; I put on The Isley Brothers “This Old Heart Of Mine” several girls get on the dance-floor. Its a safe bet to play what the girls like whenever there is an empty dance-floor, the girls lead, the blokes follow. Soon the place was rockin’ and a great atmosphere is emerging.

A DJ can make mistakes in a club that is focused upon dancing. Once you have people dancing it’s the DJ’s job to keep things moving, playing a wrong record and it can all disintegrate. Of course this happens from time to time, it’s inevitable when introducing new sounds. Once the floor is moving there can be no gaps in the music, no delays one song must merge into the next, gaps allow dancers to stop and choose to walk off . No point in introducing records or talking about them; a Soul DJ has to reduce his ego and be anonymous.

The Blue Note Club Manchester

At the end of the night you need to feel the right time to introduce slower music, in this club with its real-dance floor –  unlike the Twisted Wheel – people could get close and dance together smoothly. Looking back many relationships even marriages began this way right here.

And I like slow Soul ballads.

I started here because I had always wanted to be a DJ and I loved Soul music.

I had been a Blues and then a Soul fan from the early days of the very first Twisted Wheel in Manchester.

In 1967 returning from a two week holiday in Torquay, my girlfriend Denise got a job at the Blue Note in the cloakroom, and when there was a DJ vacancy she suggested me.

Roger Eagle was the first DJ at the Blue Note after his bust up with the owners of The Wheel. He took his record collection to the new club and set the scene there for a concentration on Stax records. After Roger there was for six months Lez Lee, who left leaving the club without a DJ, so the owner John Fogel stepped in. But he had few records and little appreciation of the Soul scene in the city. My girlfriend’s suggestion gave me the opportunity to continue the spread and range of Soul music there. I had a large collection of 45’s, EP’s and LPs I had been collecting for may years.

I worked there: Friday, Saturday, Sunday and Tuesdays and some Thursdays. I didn’t do the All nighters, instead I got my pal from my day job, AVRO in Chadderton North Manchester to do the graveyard shift:  DL Dave Lomas.

Stax, Soul and Cool, Cool Music

We continued the Stax theme and we imported records from auctions for deleted USA singles (45’s) The Blue Note was responsible for emerging lots of records that then caught on at the Twisted Wheel and many where later taken up (discovered!) on the subsequent Northern Soul scene.

A deleted part from a book about those times: THE MANCHESTER WHEELERS.

SOULBOT is built and maintained by Bob & Dave both were DJ’s at the Blue Note.

Blue Note resurgence sadly no longer active:

THE NEWBEAT CLUB : JANUARY 2014 – blue note club special

at The Waldorf, Gore Street, City Centre Manchester M1 3AQ

On the basis that January saw The Nu Beat’s own tribute to Manchester’s legendary Blue Note Club, our January playlist is a handful of tunes that were popular at The Blue Note in the late ’60s

William Bell – Marching Off To War

Eddie Floyd – Big Bird

William Bell – Never Like This Before

Johnnie Taylor – Blues In The Night

Hank Levine – Image (Pt II)

The Astors – Candy

Ketty Lester – West Coast

Joyce Bond – Sugar

The Temptations – You’re Not An Ordinary Girl

Dusty Springfield – A Brand New Me

The Drifters – Up In The Street of Harlem

The Pyramids – Train Tour To Rainbow City

The Skatalites – Guns of Navarone

Roland Alphonso – El Pussycat

Lloyd Terrell – Bang Bang Lulu.

Blue Note Web Site

Blue Note Club Manchester

Mable John - Your Good Thing (Is About To End)

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THE BLUE NOTE CLUB Gore Street Manchester

Second only to the Twisted Wheel, the Blue Note carried the torch for Soul music in the city from 1967 to 1970 (it did continue to 1971 but at that time it became more varied and more Jamaican music influenced).  It was a typical cellar soul club, not very big but with a very loyal clientele and a cool selection of music.

The Blue Note has never achieved the kind of notoriety of the Twisted Wheel but in many ways it was its equal in starting and developing what today is known as Northern Soul, certainly in its choice of music.

The DJ who opened the club was Roger Eagle who left the twisted Wheel as its premier music director to launch the nearby new club. He focused greatly on Stax.

ELOISE - W. Bell - Blue Note Club - Soulbot  You Dont Miss Your water - W. Bell -Soulbot

Roger got a few parcels of free 45’s direct from Jim Stewart at Stax in Memphis after writing to him. This enabled Roger to be the first to introduce and play quite a lot of Stax material at The Blue Note.

Knock On Wood - Eddie Floyd - Blue Note Club - Soulbot  Mar-Keys - Grab This Thing - Blue Note Club - Soulbot

After Roger left to start his own club STAXX on Fountain Street Manchester(1967).

Stax tracks played at the Blue Note at the time included:

Mable John: Your Good Thing / Able Mable.
Albert King Cold Feet / I Love Lucy
Johnnie Taylor: Toe Hold / Blues In The Night
Sam & Dave: Hold On I’m Comin’ / You Got Me Hummin
Derek Martin: Soul Power

The DJs that followed Roger were well versed in Soul Music and expanded the club’s repertoire, launching many of the classics and many also of what became known as Northern Soul collectibles. They also started to import ’45s from the States and formed a company to import and sell some of the rare singles they managed to acquire. One of the most successful sales was for The Dovells track You Can’t Sit Down which was played by Roger back to back with the Phil Upchurch version, a combination followed at the Blue Note.

What A Man/Bring Your Love Back To Me: Lynda Lyndel.

A note from the former Blue Note DJ’s:

Hi, Its Dave and Bob here, both of us were DJ’s at this club in the Sixties, along with our pal Dave Lomas: sad to say he passed on a few years back.

Blue Note Club Website

Blue Note Club PLAYLIST@ SOULDIRECTIONS

Soul – Directions

Bluenote Members

Club Members

We are trying to compile a list of as many people who visited the club or were members. If you have any others, please contact us through the Contact section.

People who went to or visited the Blue Note:

  • Dave Phillips
  • Bob Cummings
  • David Lomas – DJ – Rubberlegs – probably the best soul dancer in Manchester at the time (now deceased)
  • Paul Roman
  • Tony Owens (singer, Famous Watson Browne Band)
  • Leicester Montrose (singer)
  • Les Lee – DJ
  • Denise Ireland
  • Jean Ireland
  • Lawrence Werner
  • Mike Ashdown
  • Gilda Nevitt
  • Heather Miski
  • Jed? Drove the van for the Famous Watson Browne Band
  • Joan – cloakroom
  • Margery Brown
  • Mike the doorman
  • Mike’s brother, Paddy
  • Alan Totto – the boxer
  • Phyllis Stewart
  • Vivienne – John Fogel’s girlfriend
  • Pat Dempsey
  • Rob Barlow
  • Shirley Brown
  • Mike Brown
  • Sammy Brown
  • Alan Levy
  • Sandra Brown
  • Mike Cooney
  • Barry Holland
  • Julie Jawando
  • George Konig
  • Marie Tarpey
  • Chris Bean
  • Gemma Tinker
  • Syd Wolfe – demolition expert
  • Monica ? – from Moss Side
  • Mike Zule
  • Ian ‘Aker’ Wilkinson
  • Dave ‘Edders’ Edwards
  • Derek Croft
  • Jimmy Riddle from Stockport
  • Jeanette ? – from Revine Avenue Moston
  • Ann Rufai
  • Brian Sarge
  • Leroy Smith
  • Carl Green
  • Carol(?) – male
  • the guys in the band the Exits who had a car crash
  • Dave Jawando
  • Stan Finney
  • Phyllis and Sonia Williams
  • Gilly?
  • Billy Marble
  • Paul Mullins
  • Ray Turner
  • Tony Perrera
  • Lynn Brooks
  • Paul Udo
  • Little Junior
  • Manny
  • Ken Morgan
  • Neville Rose
  • Penny Wilde
  • Steve Wilde (DJ – all nighters)